In the rapidly evolving landscape of AI filmmaking, Rob Bralver and Josh Liss are at the forefront with their latest venture, DreamFlare, an innovative streaming platform dedicated to AI-generated films. I recently had the opportunity to interview Bralver about DreamFlare’s bold vision and the platform’s unique approach to interactivity in storytelling. DreamFlare is pioneering the use of AI to not only create films but also to revolutionize how audiences experience them, introducing two signature interactive formats: Spins and Flips. Spins are interactive shows where viewers choose what happens next, while Flips are interactive video graphic novels that blend the worlds of visual storytelling and reading. DreamFlare’s ambition is to become kind of a “Netflix of AI,” and with a growing roster of some of the best AI filmmakers in the world, they are well on their way to achieving this goal.
Bralver is no stranger to innovation in the film industry. With a career marked by critically acclaimed documentaries such as “Cure For Pain: The Mark Sandman Story” and “Our Vinyl Weighs A Ton: This Is Stones Throw Records,” Bralver has always pushed the boundaries of storytelling. His recent work, including the experimental “Moby Doc,” continues to reflect his commitment to creative evolution.
Now, with DreamFlare, he is harnessing the power of AI to reshape how films are made and experienced. The platform’s appeal extends to seasoned filmmakers, including Oscar-winning teams and experienced directors of photography (DPs), many of whom see DreamFlare as a low-cost, fast-paced alternative to traditional film production. With DreamFlare, films that might have languished in Hollywood drawers due to budget constraints can now be brought to life in a matter of 6-8 weeks.
Despite their ambitions, Bralver and his team don’t see DreamFlare as a direct competitor to Netflix. Instead, they aim to carve out a unique space in the entertainment industry by developing original intellectual property (IP) and fostering dedicated fandoms.
While AI may reduce some production budgets, DreamFlare offers a different kind of filmmaking experience—one that embraces interactivity, creativity, and collaboration. As DreamFlare continues to grow, Bralver remains committed to working with established filmmakers and partners, ensuring that the platform remains accessible and inclusive. Bralver will also be a featured panelist at this year’s inaugural Pacific Future Film Festival in October, where he will share more insights into the exciting future of AI in cinema.
DreamFlare is part of an emerging ecosystem of companies and technologies that is helping emerging filmmakers use AI to develop, produce and distribute films that were not previously possible. It will be interesting to see how their model is adopted and evolves in the coming months and years.